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From: Denny Strauser on 28 Jun 2010 01:40 Tim Perry wrote: > "Denny Strauser" <dsdennysound(a)gmail.com> wrote in message >> While mixing down a few album tracks, I used a Pro Tools multi-band >> compressor, and didn't need gates that the producer/engineer had used >> mixing previous tracks. He liked my idea better & went back & remixed >> drums like me on those tracks. >> >>> If the drummer hits consistently, the comps aren't even needed. If the >>> drummer suddenly starts beating it like it was a rattlesnake that needs >>> to be stomped to death you can turn off the mics and it still can take >>> your head off. >> It also helps if drums are tuned well ...... > > goes without saying, but it worth saying again. > >> especially, the need of gates. > > I don't understand this point. The object (at lest for me) is to mute the > mics that are not in use at any given time. > Now, I'm talking a typical rock, country gig with large amount of stage > 'wash'. I understand the reply, but you snipped my full reply. I still don't understand completely, but I did what my ears told me to do. I was actually mixing down a live 24-track recording, & I tried the multi-band compressor. It worked well. There were no feedback issues mixing down a recording. - Denny |