From: glen herrmannsfeldt on 26 Apr 2010 19:29 Jerry Avins <jya(a)ieee.org> wrote: (snip) >> That sounds right. The modes of many instruments are not exactly >> harmonically related, so harmonic isn't the right word. > I refer to them as overtones. I too wonder "partial" of what? According to wikipedia, a well known authoritative source, http://en.wikipedia.org/wiki/Harmonic_series_(music) "An overtone is any partial except the lowest." It also says: "This can lead to numbering confustion, when comparing overtones to partials; the first overtone is the second partial." It seems to me that this does not follow the EE usage of overtone, specifically in: http://en.wikipedia.org/wiki/Crystal_oscillator there is mention of odd numbered overtones for crystal oscillators, which I believe are odd multiples of the fundamental. By symmetry, even multiples don't generate a piezoelectric voltage. Otherwise, it seems to me that "partial" is similar to the mathematical "component", that is, part of the musical sound. -- glen
From: Tim Wescott on 26 Apr 2010 22:56 glen herrmannsfeldt wrote: > Jerry Avins <jya(a)ieee.org> wrote: > (snip) > >>> That sounds right. The modes of many instruments are not exactly >>> harmonically related, so harmonic isn't the right word. > >> I refer to them as overtones. I too wonder "partial" of what? > > According to wikipedia, a well known authoritative source, > > http://en.wikipedia.org/wiki/Harmonic_series_(music) > > "An overtone is any partial except the lowest." > > It also says: "This can lead to numbering confustion, when comparing > overtones to partials; the first overtone is the second partial." > > It seems to me that this does not follow the EE usage of overtone, > specifically in: > > http://en.wikipedia.org/wiki/Crystal_oscillator > > there is mention of odd numbered overtones for crystal oscillators, > which I believe are odd multiples of the fundamental. By symmetry, > even multiples don't generate a piezoelectric voltage. > > Otherwise, it seems to me that "partial" is similar to the > mathematical "component", that is, part of the musical sound. I think that the EE's tracked the usage of the word "harmonic" when they chose "overtone" -- erroneously, if they wanted to match musical usage. -- Tim Wescott Control system and signal processing consulting www.wescottdesign.com
First
|
Prev
|
Pages: 1 2 3 4 5 6 7 Prev: Kalman Assumption Next: DSP + FPGA board for LTE Physical layer implementation |