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From: UD.RaggedRobin on 17 Nov 2009 22:54
I seek a program that will take two sound files (A and B) of
approximately equal duration and produce a third sound that is a blend
of A and B throughout its duration. i.e. I want to be able to produce
the middle sound shown below.

AA AA AA AA AA
ab ab ab ab ab <-
BB BB BB BB BB

I'm not looking for what a lot of audio "morphing" programs seem to
do, which is:

AA AA AA AA AA
AA Ab ab aB BB
BB BB BB BB BB

With that said I'm not sure that "blend" is the correct term either -
I don't want the 3rd sound to sound like A and B are simply played
side-by-side. "Interpolation" may be the right term, because the
samples on Ivan Perry's Interpolator page (http://xrl.us/bf7e33 Link
to recherche.ircam.fr) seem to show exactly the process I'm looking
for. Interpolator has another feature I require, which is the ability
to specify a ratio of relative contribution from the original two
sounds. Can anyone suggest how I could obtain a copy of Interpolator
(or perhaps how to contact Ivan), or another program that will do the
same thing? Thank you.
From: Michael Plante on 18 Nov 2009 10:01
>With that said I'm not sure that "blend" is the correct term either -
>I don't want the 3rd sound to sound like A and B are simply played
>side-by-side.

So if I'm reading the page correctly, you want the amplitude envelope of
one signal and the frequency content of the other?

From: UD.RaggedRobin on 18 Nov 2009 14:19
On Nov 18, 9:01 am, "Michael Plante" <michael.pla...(a)gmail.com> wrote:
>
> So if I'm reading the page correctly, you want the amplitude envelope of
> one signal and the frequency content of the other?

Thanks for your response Michael. I'm afraid that I can't answer, as I
have no background in signal analysis or audio engineering. (I have a
lay understanding of amplitude and frequency, but I don't know what an
amplitude envelope is.) I'm interested in a final product that sounds
like a smooth blend of the original sounds throughout the duration, as
distinct from 2 layered audio tracks such as might be done with a
program like Audacity. If the process you describe will produce that,
then yes, I'm interested!

By way of explanation, I'm looking for a means of presenting blended
sounds as experimental stimuli in a discrete trials fading procedure
to teach persons with developmental disabilities. This has been done
successfully with "morphed" visual stimuli produced in a manner
analogous to what I described earlier. We're looking to apply the idea
to auditory stimuli.
From: Randy Yates on 18 Nov 2009 14:30
"UD.RaggedRobin" <ud.ragged.robin(a)gmail.com> writes:
> [...]
> By way of explanation, I'm looking for a means of presenting blended
> sounds as experimental stimuli in a discrete trials fading procedure
> to teach persons with developmental disabilities. This has been done
> successfully with "morphed" visual stimuli produced in a manner
> analogous to what I described earlier. We're looking to apply the idea
> to auditory stimuli.

Do you have any citations on previous studies in this area? Just
curious.

Quite awhile ago (20 years?) I saw a special that used a type of random
modulation of music to "reach" autistic children. It was one of the most
fascinating things I'd ever seen. The video (I believe it was a PBS
presentation) I saw used Gordon Lightfoot's "The Wreck of the Edmond
Fitzgerald" modulated in amplitude and tone, I believe.
--
Randy Yates % "So now it's getting late,
Digital Signal Labs % and those who hesitate
mailto://yates(a)ieee.org % got no one..."
http://www.digitalsignallabs.com % 'Waterfall', *Face The Music*, ELO
From: Michael Plante on 18 Nov 2009 15:00
>On Nov 18, 9:01=A0am, "Michael Plante" <michael.pla...(a)gmail.com> wrote:
>>
>> So if I'm reading the page correctly, you want the amplitude envelope
of
>> one signal and the frequency content of the other?
>
>Thanks for your response Michael. I'm afraid that I can't answer, as I
>have no background in signal analysis or audio engineering. (I have a
>lay understanding of amplitude and frequency, but I don't know what an
>amplitude envelope is.) I'm interested in a final product that sounds
>like a smooth blend of the original sounds throughout the duration, as
>distinct from 2 layered audio tracks such as might be done with a
>program like Audacity. If the process you describe will produce that,
>then yes, I'm interested!

I don't have a canned solution. Is that what you're looking for?

I'm really trying to clarify what it is you want, because your initial
explanation sounded exactly like you wanted, to use your words, "A and B
[...] simply played side-by-side," at least until I skimmed the link you
posted. Unfortunately, your response did not really clarify things much.
It sounds like you might need to do some more reading. To a certain
extent, there appear to be key terms you can google, including "Super VP",
which turned up some interesting graphics on the same page (this URL will
wrap; sorry):

http://recherche.ircam.fr/equipes/analyse-synthese/DOCUMENTATIONS/perry/spectralenv/spectralenv.html

From what I can tell, this abbreviation refers to the term "Super Phase
Vocoder" (yes, the letters are apparently transposed), but that phrase only
occurs a few times on Google Scholar, and the only article I was able to
turn up freely is this one:

http://eprints.whiterose.ac.uk/1429/1/cooper.d1.pdf

It's not clear that's exactly what you want, but it sounds like it's a
step in that direction at least, and they claim the source code (using C on
Linux) is available.


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