From: Alexander Terekhov on

Hyman Rosen wrote:
[...]
> Certainly the owner of a collective or derivative work gets
> �to exercise the right to control� those works, and the owner
> of each contribution gets �to exercise the right to control�
> his or her contribution. (17 U.S.C. � 103[b].)
>
> so he's certainly not as wrong as you are. I shouldn't be
> surprised - as always, the things you quote contradict your
> thesis.

You're a bit confused as usual, Hyman.

http://en.wikisource.org/wiki/Copyright_Law_Revision_(House_Report_No._94-1476)

-----
Section 103 complements section 102: A compilation or derivative work is
copyrightable if it represents an �original work of authorship� and
falls within one or more of the categories listed in section 102. Read
together, the two sections make plain that the criteria of copyrightable
subject matter stated in section 102 apply with full force to works that
are entirely original and to those containing preexisting material.
Section 103(b) is also intended to define, more sharply and clearly than
does section 7 of the present law, the important interrelationship and
correlation between protection of preexisting and of �new� material in a
particular work. The most important point here is one that is commonly
misunderstood today: copyright in a �new version� covers only the
material added by the later author, and has no effect one way or the
other on the copyright or public domain status of the preexisting
material.

Between them the terms �compilations� and �derivative works� which are
defined in section 101, comprehend every copyrightable work that employs
preexisting material or data of any kind. There is necessarily some
overlapping between the two, but they basically represent different
concepts. A �compilation� results from a process of selecting, bringing
together, organizing, and arranging previously existing material of all
kinds, regardless of whether the individual items in the material have
been or ever could have been subject to copyright. A �derivative work,�
on the other hand, requires a process of recasting, transforming, or
adapting �one or more preexisting works�; the �preexisting work� must
come within the general subject matter of copyright set forth in section
102, regardless of whether it is or was ever copyrighted.

The second part of the sentence that makes up section 103(a) deals with
the status of a compilation or derivative work unlawfully employing
preexisting copyrighted material. In providing that protection does not
extend to �any part of the work in which such material has been used
unlawfully,� the bill prevents an infringer from benefiting, through
copyright protection, from committing an unlawful act, but preserves
protection for those parts of the work that do not employ the
preexisting work. Thus, an unauthorized translation of a novel could not
be copyrighted at all, but the owner of copyright in an anthology of
poetry could sue someone who infringed the whole anthology, even though
the infringer proves that publication of one of the poems was
unauthorized.
-----

It also means that as far as copyright law is concerned,
compilation copyright can be licensed as its owner sees fit.

Got it now, silly Hyman?

regards,
alexander.

P.S. "Every computer program in the world, BusyBox included, exceeds the
originality standards required by copyright law."

Hyman Rosen <hyrosen(a)mail.com> The Silliest GPL 'Advocate'

P.P.S. "Of course correlation implies causation! Without this
fundamental principle, no science would ever make any progress."

Hyman Rosen <hyrosen(a)mail.com> The Silliest GPL 'Advocate'

--
http://gng.z505.com/index.htm
(GNG is a derecursive recursive derecursion which pwns GNU since it can
be infinitely looped as GNGNGNGNG...NGNGNG... and can be said backwards
too, whereas GNU cannot.)
From: Alexander Terekhov on

Hyman Rosen wrote:
[...]
> <http://www.law.cornell.edu/supct/pdf/00-201P.ZS>

You're a bit confused as usual, Hyman.

http://www.ivanhoffman.com/tasini.html

"The United States Supreme Court ruled that print publishers such as
newspapers and magazines may not use material in online databases to
which they had previously obtained only print rights from independent
contractor creators. The Court�s ruling establishes that such online and
electronic uses are separate uses from that of print. Publishers had
argued that they had these rights under the �collective works� section
of the United States Copyright Act. That section provides in part:

� 201. Ownership of copyright

(c) Contributions to Collective Works.-Copyright in each separate
contribution to a collective work is distinct from copyright in the
collective work as a whole, and vests initially in the author of the
contribution. In the absence of an express transfer of the copyright or
of any rights under it, the owner of copyright in the collective work is
presumed to have acquired only the privilege of reproducing and
distributing the contribution as part of that particular collective
work, any revision of that collective work, and any later collective
work in the same series.

The publishers' argument was that the online uses within an
electronic database were a �revision of that collective work,� meaning a
revision of the original print publication. This was the argument
rejected by the Court saying that the use within a database was a
separate use, not contemplated by the foregoing provisions. The Court
stated:
In accord with Congress prescription, a publishing company could reprint
a contribution from one issue in a later issue of its magazine, and
could reprint an article from a 1980 edition of an encyclopedia in a
1990 revision of it; the publisher could not revise the contribution
itself or include it in a new anthology or an entirely different
magazine or other collective work.

The Contractual Significance

The issue arose because the contracts by which such print rights
were acquired were either silent on the issue of �electronic rights� or
were vague and uncertain. I have written about this issue in several
other articles that you should read on my site. See �Electronic Issues
in Publishing Contracts,� �Electronic Publishing and the Potential Loss
of First Serial Rights� and �Digital Rights Management.�

If you are a publisher or have otherwise acquired rights to
materials and your contract is more than just a few years old, it may be
deficient either because it does not speak to or is vague in defining
the �electronic rights� that you need. You should examine your
contracts in this regard and if necessary, have those contracts updated
for current and future use.

� 2001 Ivan Hoffman

****************
This article is not intended as a substitute for legal advice. The
specific facts that apply to your matter may make the outcome different
than would be anticipated by you. You should consult with an attorney
familiar with the issues and the laws.
****************

No portion of this article may be copied, retransmitted, reposted,
duplicated or otherwise used without the express written approval of the
author.
--------------------------------------------------------------------------------

FOR MORE INFORMATION:

MAIL

Where Next?

Ivan Hoffman Attorney At Law || More Helpful Articles For Writers and
Publishers|| More Internet and Electronic Rights Articles||More Articles
for Web Site Designers and Site Owners || Home"

regards,
alexander.

P.S. "Every computer program in the world, BusyBox included, exceeds the
originality standards required by copyright law."

Hyman Rosen <hyrosen(a)mail.com> The Silliest GPL 'Advocate'

P.P.S. "Of course correlation implies causation! Without this
fundamental principle, no science would ever make any progress."

Hyman Rosen <hyrosen(a)mail.com> The Silliest GPL 'Advocate'

--
http://gng.z505.com/index.htm
(GNG is a derecursive recursive derecursion which pwns GNU since it can
be infinitely looped as GNGNGNGNG...NGNGNG... and can be said backwards
too, whereas GNU cannot.)
From: Hyman Rosen on
On 3/25/2010 5:15 PM, Alexander Terekhov wrote:
> It also means that as far as copyright law is concerned,
> compilation copyright can be licensed as its owner sees fit.
> Got it now?

There is nothing to "get". The creator of the compilation owns
the copyright to the arrangement of the works, but cannot copy
and distribute the arrangement with the works included without
permission of the owners of the rights in the included works.

You are about as confused as anyone I have ever seen. It's a
good thing you hold no position of responsibility where your
incorrect knowledge of copyright law could cause harm.
From: David Kastrup on
Hyman Rosen <hyrosen(a)mail.com> writes:

> On 3/25/2010 2:21 PM, David Kastrup wrote:
>> Hyman Rosen<hyrosen(a)mail.com> writes:
>>
>>> On 3/25/2010 1:49 PM, Hyman Rosen wrote:
>>>> it cannot possibly be correct under copyright law for the
>>>> rights to a work to change by the creation of a separate
>>>> work after the original work has been created!
>>>
>>> Well, actually, let me take this part back.
>>
>> What changes is not the rights to the copyrightable work (those remain
>> with the author), but whether it legally constitutes an integral part of
>> a larger whole or not. When it can be usefully combined with different
>> other parts, this is definitely not the case.
>
> No, that's not it at all. I was wrong because the author
> of a license can put in any conditions he wants,

The whole point of the GPL as a license rather than a contract is
extending the rights a user will normally have, so that agreement to the
license can be assumed without prejudicing the software user.

So the GPL takes care not to go further than copyright does.

> But permission to copy and distribute a library cannot
> affect the right to copy and distribute a separate work
> when that work does not contain the library.

The courts ultimately determine the meaning of "separate" and "contain".

--
David Kastrup
From: Alexander Terekhov on

Hyman Rosen wrote:
>
> On 3/25/2010 5:15 PM, Alexander Terekhov wrote:
> > It also means that as far as copyright law is concerned,
> > compilation copyright can be licensed as its owner sees fit.
> > Got it now?
>
> There is nothing to "get". The creator of the compilation owns
> the copyright to the arrangement of the works, but cannot copy
> and distribute the arrangement with the works included without
> permission of the owners of the rights in the included works.

Go tell Red Hat and Novell that they are blatantly violating the GPL,
silly Hyman.

Yeah, I know that you're "insufficiently motivated"... right?

http://www.redhat.com/licenses/rhel_us_3.html

"LICENSE AGREEMENT AND LIMITED PRODUCT WARRANTY RED HAT� ENTERPRISE
LINUX� AND RED HAT� APPLICATIONS

This agreement governs the use of the Software and any updates to the
Software, regardless of the delivery mechanism. The Software is a
collective work under U.S. Copyright Law. "

http://www.novell.com/products/opensuse/eula.html

"The Software is a collective work of Novell"

Note that Red Hat's and Novell's collective works (compilations aka
"mere aggregations" in GNU-speak) contain tons of non-GPL components
even "incompatible" with the GPL.

regards,
alexander.

P.S. "Every computer program in the world, BusyBox included, exceeds the
originality standards required by copyright law."

Hyman Rosen <hyrosen(a)mail.com> The Silliest GPL 'Advocate'

P.P.S. "Of course correlation implies causation! Without this
fundamental principle, no science would ever make any progress."

Hyman Rosen <hyrosen(a)mail.com> The Silliest GPL 'Advocate'

--
http://gng.z505.com/index.htm
(GNG is a derecursive recursive derecursion which pwns GNU since it can
be infinitely looped as GNGNGNGNG...NGNGNG... and can be said backwards
too, whereas GNU cannot.)