From: ransley on 6 Aug 2010 08:02 I use the T1i, dpreview gives a higher rating to Jpeg over Raw. I believe its because Jpegs settings are optimised by Canon very well. For my jpegs they come out very good. Is Raw recomended because jpeg looses quality every time you open and close it? Is the difference noticable by opening and closing it say for example 5 times printed at 5x7 or 8x11? Does the loss on jpeg only occur if you completely close the photo? What are other benefits of Raw to make it worth the extra hassle of complete editing. I am happy shooting jpeg, I am working with 5 shot Photomatrix hdr and have done both Raw and jpeg [I think Photomatrix loaded the jpeg] I am fully happy with the results but jpeg is so much easier. I think for special photos made and composed Raw may be optimal , but its time very consuming.
From: Martin Brown on 6 Aug 2010 08:21 On 06/08/2010 13:02, ransley wrote: > I use the T1i, dpreview gives a higher rating to Jpeg over Raw. I > believe its because Jpegs settings are optimised by Canon very well. > For my jpegs they come out very good. Is Raw recomended because jpeg > looses quality every time you open and close it? Is the difference > noticable by opening and closing it say for example 5 times printed at > 5x7 or 8x11? Does the loss on jpeg only occur if you completely close > the photo? This is a FAQ and dealt with in the JPEG FAQ. See Q10 of http://www.faqs.org/faqs/jpeg-faq/part1/ Opening and closing a JPEG file doesn't alter it at all unless you Save the file again as a JPEG *and* overwrite the original file. If you treat your original JPEGs are readonly then there is no problem at all. The level of degradation with successive saves is not huge provided that you work at a fixed quality level. But it is ever present. This means that in a workflow you want to keep work in progress saved in a lossless format (typically one native to the application you are using that will preserve layers and masks). > What are other benefits of Raw to make it worth the extra > hassle of complete editing. I am happy shooting jpeg, I am working > with 5 shot Photomatrix hdr and have done both Raw and jpeg [I think > Photomatrix loaded the jpeg] I am fully happy with the results but > jpeg is so much easier. I think for special photos made and composed > Raw may be optimal , but its time very consuming. Raw gives you more freedom afterwards to rescue dynamic range and adjust colour balance. This can be important if you know that the image will contain black velvet in shadow and a white bridal dress in sunlight. And there is little chance of retaning it if the exposure is even slightly off. It is hard for the in camera auto adjust and save as JPEG to get both exactly right simultaneously and a risk if you let it. Most of the time in camera JPEG encoding is fine - ie good enough. (some makers high quality JPEG encoding is better than others) Regards, Martin Brown
From: ransley on 6 Aug 2010 08:27 On Aug 6, 7:21 am, Martin Brown <|||newspam...(a)nezumi.demon.co.uk> wrote: > On 06/08/2010 13:02, ransley wrote: > > > I use the T1i, dpreview gives a higher rating to Jpeg over Raw. I > > believe its because Jpegs settings are optimised by Canon very well. > > For my jpegs they come out very good. Is Raw recomended because jpeg > > looses quality every time you open and close it? Is the difference > > noticable by opening and closing it say for example 5 times printed at > > 5x7 or 8x11? Does the loss on jpeg only occur if you completely close > > the photo? > > This is a FAQ and dealt with in the JPEG FAQ. See Q10 of > > http://www.faqs.org/faqs/jpeg-faq/part1/ > > Opening and closing a JPEG file doesn't alter it at all unless you Save > the file again as a JPEG *and* overwrite the original file. If you treat > your original JPEGs are readonly then there is no problem at all. > > The level of degradation with successive saves is not huge provided that > you work at a fixed quality level. But it is ever present. This means > that in a workflow you want to keep work in progress saved in a lossless > format (typically one native to the application you are using that will > preserve layers and masks). > > > What are other benefits of Raw to make it worth the extra > > hassle of complete editing. I am happy shooting jpeg, I am working > > with 5 shot Photomatrix hdr and have done both Raw and jpeg [I think > > Photomatrix loaded the jpeg] I am fully happy with the results but > > jpeg is so much easier. I think for special photos made and composed > > Raw may be optimal , but its time very consuming. > > Raw gives you more freedom afterwards to rescue dynamic range and adjust > colour balance. This can be important if you know that the image will > contain black velvet in shadow and a white bridal dress in sunlight. And > there is little chance of retaning it if the exposure is even slightly > off. It is hard for the in camera auto adjust and save as JPEG to get > both exactly right simultaneously and a risk if you let it. > > Most of the time in camera JPEG encoding is fine - ie good enough. > (some makers high quality JPEG encoding is better than others) > > Regards, > Martin Brown I use Adobe and just save as it prompts me, is that the proper way? I wonder since Canons jpeg is optimised if I am not going backwards with Raw and missing what they have put major effort into perfecting. How is dynamic range improved? Color balance controls in editing are the same, how is Raw better?
From: Ofnuts on 6 Aug 2010 08:38 On 06/08/2010 14:02, ransley wrote: > I use the T1i, dpreview gives a higher rating to Jpeg over Raw. I > believe its because Jpegs settings are optimised by Canon very well. > For my jpegs they come out very good. Is Raw recomended because jpeg > looses quality every time you open and close it? No... RAW is recommended because JPEG can only code 8 bits per "channel" (*). In a camera with significantly more than 8 bits per channel (**) going to JPEG requires to discard some information, which cannot be recoverdd later. RAW allows these choices to be made later (and pick up among them the best choice for a specific photo). > Is the difference > noticable by opening and closing it say for example 5 times printed at > 5x7 or 8x11? JPEG loss only happen when you save the file. If you only open the file for printing nothing happens to the orginal file. > Does the loss on jpeg only occur if you completely close > the photo? "Close", no. "Save", yes, to some extent. This is why applications that re-save the picture behind your back should be taken out and shot (this is what happens with Windows Picture and Fax viewer when you rotate the photo). But for the "quality" setting of most photos, this is very minor and you won't notice anything un,les you edit and save the image ober a dozen times. But you can completely avoid this by saving the intermediate versions in a lossless format (TIFF, for instance) or the native format of you picture editor (this will save layers, selections and whatever) and only export to JPEG the final result. > What are other benefits of Raw to make it worth the extra > hassle of complete editing. Showing off :-) > I am happy shooting jpeg, I am working > with 5 shot Photomatrix hdr and have done both Raw and jpeg [I think > Photomatrix loaded the jpeg] I am fully happy with the results but > jpeg is so much easier. I think for special photos made and composed > Raw may be optimal , but its time very consuming. Agreed. I usually shoot JPEG too. I use RAW only when I know I'm going to do some extensive work on the picture (difficule shooting conditions, etc...). (*) without getting into goory details, JPEG actually encodes luminance and chrominance separately, and puts less emphasis on chrominance bcause we are less sensitive to it, so it doesn't really encodes the primmary colors... (**) moderns SLRs achieve more than 10 bits most of the time -- Bertrand
From: David J Taylor on 6 Aug 2010 09:02 "Ofnuts" <o.f.n.u.t.s(a)la.poste.net> wrote in message news:4c5c0239$0$28746$426a74cc(a)news.free.fr... [] > No... RAW is recommended because JPEG can only code 8 bits per "channel" > (*). In a camera with significantly more than 8 bits per channel (**) > going to JPEG requires to discard some information, which cannot be > recoverdd later. RAW allows these choices to be made later (and pick up > among them the best choice for a specific photo). [] > (*) without getting into goory details, JPEG actually encodes luminance > and chrominance separately, and puts less emphasis on chrominance bcause > we are less sensitive to it, so it doesn't really encodes the primmary > colors... > > (**) moderns SLRs achieve more than 10 bits most of the time > > -- > Bertrand Bertrand, Don't forget that the brightness range coding in RAW is linear, but the coding in JPEG is "gamma-corrected", meaning that JPEG can actually handle a /greater/ dynamic range than RAW, but at a lower precision for a given brightness level. Where JPEG codes colour differently brightness is in the spatial resolution. The eye cannot perceive colours as finely (spatially) as it can greyscale differences, so in JPEG the colour component may only be encoded at half the resolution (for example, you could look at it as 2 x 2.5MP colour difference images with a 10MP greyscale image). It can encode primary colours as well as RAW - but at a lower resolution. Appreciate you are trying to simplify, though. Cheers, David
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