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From: Sean Conolly on 12 Feb 2010 23:27 "Orlando Enrique Fiol" <ofiol(a)verizon.net> wrote in message news:MPG.25de27a23cecc44c9898b9(a)news.albasani.net... > Joe Kotroczo <kotroczo(a)mac.com> wrote: >>Headroom is the space between where you are and the ceiling. Simple, eh? > > No. Headroom is the space between where you are and where you don't want > to be > in terms of analog distortion or digital clipping. > >>In an EQ, the maximum amount of cut or boost is always fixed at a given >>value. Sometimes it's switchable between different values (6dB and 12dB in >>some graphics), but I've never come across an EQ where there was not a >>maximum value. > > Yes, and depending on the original signal's level, applying maximum gain > can > cause it to distort or clip. > >>Also, I have never come across any commercially sold EQ, >>where by applying the maximum boost one would run out of headroom, which >>means run into distortion or clipping. > > See above. It happens all the time. > >>So, what you are saying above does not make any sense to me. And >>"hollowing >>of specific frequency spectra" does make even less sense, it sounds like >>something you've made up. > > If an original signal can be measured to have a 250 hz. frequency level, > cutting that frequency or a range around it will hollow out the spectrum. > >>ven though most EQs have a maximum level of >>attenuation, there are examples of EQs that can attenuate to infinity. >>Usually Notch-Filters, IIRC. > > Working with analog, digital and plugin EQs, I have only rarely seen them > attenuate to infinity. > >>That's true, and at the same time bullshit, IMHO. I don't see how the >>original question would be so urgent as to require a debate via email. > > That would depend on Danielle's urgency in solving her problem. I notice > that > she has not reposted here since the weekend, indicating that this must be > a > sufficiently urgent concern for her. Well I can certainly tell that you should not be the one trying to guide her with your thouroghly confused misunderstanding of EQs. Get the Yamaha sound book and start reading - seriously. Sean
From: Joe Kotroczo on 13 Feb 2010 10:34 On 13/02/2010 05:27, in article hl59mg$i7r$1(a)news.eternal-september.org, "Sean Conolly" <sjconolly_98(a)yaaho.com> wrote: (....) > Well I can certainly tell that you should not be the one trying to guide her > with your thouroghly confused misunderstanding of EQs. > > Get the Yamaha sound book and start reading - seriously. Another nice intro into EQs is: http://www.rane.com/note122.html -- Joe Kotroczo kotroczo(a)mac.com
From: Phil W on 14 Feb 2010 03:25 Orlando Enrique Fiol: > Although I know she could be a male with an > Italian name Well, you might update your "knowledge" of the Italian orthography. The male Italian version is spelled "DanieLe" -> with only 1 L !!! The OP�s name is "DanieLLe" with 2 L -> rather a typical French female name It seems, you know as much about Italian and French prename spelling, as about headroom...
From: Phil W on 14 Feb 2010 03:56 Orlando Enrique Fiol: >> That's true, and at the same time bullshit, IMHO. I don't see how the >> original question would be so urgent as to require a debate via >> email. Me neither. To me it rather seemed as a question out of general interest with absolutely no sign of "aaaaaaaargh, I need to mix a gig in 2 days and don�t know what to do!!! can somebody please help me as quick as possible?!" > That would depend on Danielle's urgency in solving her problem. I > notice that she has not reposted here since the weekend, indicating > that this must be a sufficiently urgent concern for her. Oh, you understand that it�s obviously not very urgent. Fine! What I still don�t understand is your logic, why a community of seasoned live sound professionals, that have posted here for several years and are reknowned for their work and knowledge, should *not* be a better resource for information, than a single person via email. The reaction in a NG, where several people can answer, might be well quicker... Sorry, but to me it just seems like you don�t even notice, how contradictory your assumptions and assertions actually are. Sometimes, and that is usually *very* often, is just the best to stick to the most basic logic and build up from there. ;-)
From: Orlando Enrique Fiol on 14 Feb 2010 04:01
Phil W <phw(a)gmx.de> wrote: >Well, you might update your "knowledge" of the Italian orthography. >The male Italian version is spelled "DanieLe" -> with only 1 L !!! >The OP?s name is "DanieLLe" with 2 L >-> rather a typical French female name >It seems, you know as much about Italian and French prename spelling, as >about headroom... No, it seems that I'm totally blind, use a screen reader and sometimes encounter words that are not pronounced as they are spelled. I studied both French and Italian for years and speak them fluently, which has little to do with orthography in my case. Orlando |