From: John Navas on
On Mon, 21 Jun 2010 10:09:02 -0700 (PDT), in
<87351056-2e43-4c5c-b33d-c1d2a42d014c(a)d4g2000vbl.googlegroups.com>,
RichA <rander3127(a)gmail.com> wrote:

>On Jun 20, 11:44�pm, John Navas <jn...(a)navasgroup.com> wrote:
>> On Sun, 20 Jun 2010 20:41:20 -0700 (PDT), in
>> <ccd9a097-d27c-4940-8488-d3124e49c...(a)e5g2000yqn.googlegroups.com>,
>>
>> RichA <rander3...(a)gmail.com> wrote:
>> >The original poster is a rank amateur. �He argues against a point made
>> >later in the thread in favour of the 7-14mm Panasonic versus the
>> >9-18mm Olympus. �The Panasonic is an enthusiast, even a pro lens. �The
>> >Olympus is a kit lens. �14-18mm lenses (equivalent on a FF) were never
>> >meant as "walk around lenses." 14-18mm lenses are specific tools meant
>> >for very narrowly defined tasks involving extreme angles, they are not
>> >frigging "street shooting" lenses. �We've become spoiled because these
>> >kinds of wide angles weren't available to amateurs for cheap prices
>> >until recently (the last 10 years or so). �Prior to that, they were
>> >high priced prime lenses that rarely saw the inside of an amateur's
>> >bag. �It's no wonder current owners (some of them) don't have a clue
>> >as to their actual purpose.
>>
>> >http://forums.dpreview.com/forums/read.asp?forum=1041&message=35620547
>>
>> This matters ... why?
>
>Because it's there? Why does anything matter?

I didn't think so. Thanks for the confirmation.

The only way to tell to tell a rank amateur from a seasoned one, or a
pro, is to look at their images. Equipment is irrelevant, except to
those who mistakenly think great equipment will make them great
photographers. It won't. What matters is the photographer, not the
equipment.

--
Best regards,
John

Buying a dSLR doesn't make you a photographer,
it makes you a dSLR owner.
"The single most important component of a camera
is the twelve inches behind it." -Ansel Adams
From: /dev/null/ on
Your point is moot, neither Panasonic or Olympus are pro cameras.

"RichA" <rander3127(a)gmail.com> wrote in message
news:ccd9a097-d27c-4940-8488-d3124e49cd48(a)e5g2000yqn.googlegroups.com...
> The original poster is a rank amateur. He argues against a point made
> later in the thread in favour of the 7-14mm Panasonic versus the
> 9-18mm Olympus. The Panasonic is an enthusiast, even a pro lens. The
> Olympus is a kit lens. 14-18mm lenses (equivalent on a FF) were never
> meant as "walk around lenses." 14-18mm lenses are specific tools meant
> for very narrowly defined tasks involving extreme angles, they are not
> frigging "street shooting" lenses. We've become spoiled because these
> kinds of wide angles weren't available to amateurs for cheap prices
> until recently (the last 10 years or so). Prior to that, they were
> high priced prime lenses that rarely saw the inside of an amateur's
> bag. It's no wonder current owners (some of them) don't have a clue
> as to their actual purpose.
>
> http://forums.dpreview.com/forums/read.asp?forum=1041&message=35620547
>


From: /dev/null/ on

"Outing Trolls is FUN!" <otif(a)trollouters.org> wrote in message
news:d4ut16ljk0jocal1tmliudovahgran7r5l(a)4ax.com...
> On Sun, 20 Jun 2010 20:41:20 -0700 (PDT), RichA <rander3127(a)gmail.com>
> wrote:
>
>>The original poster is a rank amateur. He argues against a point made
>>later in the thread in favour of the 7-14mm Panasonic versus the
>
> Wrong. All rank amateurs are more concerned with equipment than the
> photographs they are trying to create, no matter what camera and lens
> might
> be in their hands.
>
I agree with that. Earlier I commented about neither Panasonic or Olympus
being pro cameras. That is not a reflection on the product, but rather the
market segment. Nikon and Canon both have Pro Service that give advantages
over Pentax, Sony et al. A skilled shooter can get great results if he/she
knows their limitations.



From: Mike Russell on
On Mon, 21 Jun 2010 12:55:17 -0500, George Kerby wrote:

> ... with your toy P&S.

Absolutely. The newer, non SLR cameras are capable of professional results
in a variety of surprising situations, and it just keeps getting better.


Here are several moon images, that were done hand-held with a relatively
inexpensive P&S - a Panasonic with a price well under $500, with a 1.5
doubler I got on eBay for $150.

http://www.curvemeister.com/forum/index.php/topic,2184.0.html

This camera is intended mainly for animal shots, and it works extremely
well for that, as you can imagine with an effective focal length of about
750mm.
--
Mike Russell - http://www.curvemeister.com
From: Paul Furman on
RichA wrote:
> The original poster is a rank amateur. He argues against a point made
> later in the thread in favour of the 7-14mm Panasonic versus the
> 9-18mm Olympus. The Panasonic is an enthusiast, even a pro lens. The
> Olympus is a kit lens. 14-18mm lenses (equivalent on a FF) were never
> meant as "walk around lenses." 14-18mm lenses are specific tools meant
> for very narrowly defined tasks involving extreme angles, they are not
> frigging "street shooting" lenses. We've become spoiled because these
> kinds of wide angles weren't available to amateurs for cheap prices
> until recently (the last 10 years or so). Prior to that, they were
> high priced prime lenses that rarely saw the inside of an amateur's
> bag. It's no wonder current owners (some of them) don't have a clue
> as to their actual purpose.

I don't know what you're rambling on about. People walk around with
whatever lens that pleases them. The Oly is apparently compact, which is
great for walking around with a small camera street shooting, and costs
less, which is the other point of m4/3. I love wide angle street
shooting at 12mm FF. The demo pics are not award winning high art but
nothing wrong with them either and I didn't see where they claimed to be
pro.

BTW, I didn't realize different brand m4/3 lenses were actually
compatible for electrical connections, metering, AF, etc... That's got
to be a first in the industry, ever.

> http://forums.dpreview.com/forums/read.asp?forum=1041&message=35620547
>

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