From: Rowland McDonnell on
Peter Ceresole <peter(a)cara.demon.co.uk> wrote:

> James Jolley <jrjolley(a)me.com> wrote:
>
> > Don't see why, that's like saying VO Reads the clock in the menubar but
> > I can still see it. Someone will use the lyrics functionality i'm sure.
>
> Surely the point about lyrics in iTunes is that you *hear* them, pretty
> well by definition?

Surely the point about songs is that you can't hear all the lyrics in
all songs perfectly clearly?

Surely anyone who's actually *listened* to songs would know this?

Can *YOU* figure out the words to anyone's version of Tail Taddle, for
example?

Or Monteverdi's Vespers of 1610?

I can't manage either and I did learn a little Latin at school; but
Classical, not Church Latin. Latin as sung is problematic...

Rowland.

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From: Peter Ceresole on
Rowland McDonnell <real-address-in-sig(a)flur.bltigibbet.invalid> wrote:

> Surely the point about songs is that you can't hear all the lyrics in
> all songs perfectly clearly?
>
> Surely anyone who's actually *listened* to songs would know this?
>
> Can *YOU* figure out the words to anyone's version of Tail Taddle, for
> example?

But none of it matters.

Words and music work together. If I can't understand the lyrics, it
never borthers me.
--
Peter
From: James Jolley on
On 2010-04-29 21:35:15 +0100, peter(a)cara.demon.co.uk (Peter Ceresole) said:

> Rowland McDonnell <real-address-in-sig(a)flur.bltigibbet.invalid> wrote:
>
>> Surely the point about songs is that you can't hear all the lyrics in
>> all songs perfectly clearly?
>>
>> Surely anyone who's actually *listened* to songs would know this?
>>
>> Can *YOU* figure out the words to anyone's version of Tail Taddle, for
>> example?
>
> But none of it matters.
>
> Words and music work together. If I can't understand the lyrics, it
> never borthers me.

I see this point as well. It's rhythm that matters isn't it.

From: Phil Taylor on
In article <1jhqblj.bsro75iu9z8zN%peter(a)cara.demon.co.uk>, Peter
Ceresole <peter(a)cara.demon.co.uk> wrote:

> Rowland McDonnell <real-address-in-sig(a)flur.bltigibbet.invalid> wrote:
>
> > Surely the point about songs is that you can't hear all the lyrics in
> > all songs perfectly clearly?
> >
> > Surely anyone who's actually *listened* to songs would know this?
> >
> > Can *YOU* figure out the words to anyone's version of Tail Taddle, for
> > example?
>
> But none of it matters.
>
> Words and music work together. If I can't understand the lyrics, it
> never borthers me.

It depends what kind of music is involved. In opera the singer's vocal
style is perfectly honed to produce accurate pitch, huge volume and
enormous dynamic range all at the expense of intelligibility. Even
operas in English need surtitles if you want to understand the lyrics.

At the other end of the scale, a traditional ballad singer is telling
a story which must be followed by the audience, and the music must
never interfere with this, to the extent that in some traditions the
ballad was recited and the music dispensed with entirely.

Phil Taylor
From: Peter Ceresole on
James Jolley <jrjolley(a)me.com> wrote:

> > Words and music work together. If I can't understand the lyrics, it
> > never borthers me.
>
> I see this point as well. It's rhythm that matters isn't it.

The rhythm of the words, yes. And the tune; the whole thing.
--
Peter